José Caravaca’s hypothesis: The Distortion Theory
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My colleague and pal José Antonio Caravaca has provided a topical and insightful “theory” about the source of UFO encounter and I’ve provided a voice for him here, as you know; one of his current thought-filled expositions just the other day.
His idea that a special agency provides individualized scenarios, separate and mostly distinct (unique), geared to the partners/witnesses involved in the encounter.
The encounters – and there are many, as one will find in the literature [See the Albert Rosales' Humanoid Encounters series for examples] – are apart from the visual (only) UFO sightings it seems, but I think there is a palpable connection (which I’ll offer a posting about upcoming).
Gather José’s offerings here and elsewhere to see his elaborate theorizing and well- documented presentations.
My point, here, is that, more and more, José’s view(s) enter a realm of consideration that would be wise to examine, as his theory touches on the real reality that we experience day to day, or so it seems.
(I recently read a review of a book about Art History [A History of Art History by Christopher Wood, Princeton, 2019, £30] in the London Review of Books, 12/17/20, Page 7 ff.] and a story about a woman with Parkinson’s disease in The New Yorker issue of 2/1/21, Living with a Visionary by John Matthias, Page 26 ff.]; both pertinent in some way to José’s Theory. I’ll provide details soon.)
RR
posted by RRRGroup at
Sunday, January 31, 2021
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